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(1898-1986)
Henry Moore was born in 1898
in a small coal mining town in Yorkshire, his father a miner. In spite
of these humble beginnings, Moore decided to be an artist, and pursued
his art education in Leeds and in London. At age 18, Moore enlisted, serving
in the First World War, then continuing his studies in London when he
returned from the war.
In the 1920's and 1930's, Moore's
work seemed firmly rooted in the figurative
traditions of Western classicism, Africa and Pre-Columbian America, which
he saw at the British Museum. He was especially interested in the ancient
art of the Americans, for his famous reclining nudes from the late 1920's
are based on figures from the Toltec civilization. It is in these sculptures
that Moore opened up the mass, making a space within the figure. With
family
groups and figures studies, Moore established the basic themes that would
inspire him for the rest of his life. Throughout the 1930's, Moore participated
in Surrealist activities. He signed the Surrealist Manifesto and was part
of the organizing committee for "The First International Surrealist
Exhibition," held in London in 1936.
By the 1940's, Moore's international
reputation grew, and his work was in great demand, especially in the United
States. During World War II, Moore produced a series of drawings, the
so-called 'Shelter Drawings,' that depict
Londoners seeking refuge in the subways during the long nights of bombing.
Working predominantly in cast bronze, his large reclining figures became
familiar throughout Europe and the United States. Public recognition
continued to grow throughout the rest of his life, as he received countless
commissions around the world, received many honors, and had numerous exhibitions.
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